Carmen, Compañía Nacional de Danza

XXXI Opera and ballet season

Johan Inger chose to distance themselves from both the folklore-back (typical spanish) and the so-called avant-garde modernism. To mold the piece was further supported Merimée in Bizet. I delve into the psychology of the characters to understand their propensity for passion. You know: the excessive love and jealousy wild. Inger not 'pardons' crime of passion, which today we would call violence: avoidable and despicable.

Direction and choreography: Johan Inger
Music: Georges Bizet and Rodion Shchedrin

Compañía Nacional de Danza
Symphony Orchestra of the Balearic Islands
Conductor: Manuel Coves